The Young Artist

Young Artist’s Photography Portfolio

  • Pointing in NYC B&W street photography 1970 nineteen  seventies
  • Martha Broad Hampshire College B&W street photography 1970 nineteen  seventies
  • Man with cigar B&W street photography 1970 nineteen  seventies
  • homemade glasses B&W street photography 1970 nineteen  seventies
  • susan tull laren thaller  playing bocci fresh lawn cambridge 1978
  • Empty jewelry store window san Francisco 1979 B&W street photography  nineteen  seventies
  • ladies in mink look at baby clothing in NYC B&W street photography 1970 nineteen  seventies
  • Dog Flight Boston B&W street photography 1970 nineteen  seventies
  • Exercise class Watertown Massachusetts YMCA B&W street photography 1970 nineteen  seventies or maybe a dance glass
  • Roma Rome B&W street photography 1970 nineteen  seventies
  • peep show B&W street photography 1970 nineteen  seventies
  • down and out man Florence train station  B&W street photography 1979 nineteen  seventies
  • Proud papa Rome Roma near collusieum B&W street photography 1970 nineteen  seventies
  • Girl with straps on face petting dog in window Vinicee Italy B&W street photography 1970 nineteen  seventies
  • Boy feeding gulls Martha's vineyard ferry B&W street photography 1981  nineteen  seventies
  • Chopper handle bar bicycle and graffiti NYC lower east side  B&W street photography 1971 nineteen  seventies
  • Man in store diving in for something B&W street photography 1970 nineteen  seventies
  • Jacob Bluestone Sam Roos playing with water cape Elizabeth Maine B&W street photography 1991  nineteen  nineties
  • Car in woods Falmouth Maine B&W street photography 1995 nineteen  nineties
  • Boy  eating cereal with hand reading comic Sam Roos Cape Elizabeth Maine B&W street photography 1994 nineteen  nineties

These shots from the Warren Roos Photography portfolio represent shots images from an earlier age. Images from a developing artist, all in black and white, present the sights and sounds of a younger city. Beautifully rendered and nostalgic, they show the developing sense of a photographer with the tools that are critical to him — people, faces, streets, and landscapes, and the dialogue between them, captured between four corners of a frame. Almost like they were meant to be.